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Greg Baldock
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A Flea in Her Ear "This version of A Flea in Her Ear, translated by John Mortimer, now most famous as the creator of Horace Rumpole, first saw the light of day at this venue in 1966 when it housed the National Theatre. A Flea in Her Ear "…Surrendering to the insanity that is Feydeau's farce "A Flea in Her Ear" is a case of "double your pleasure, double your fun." Why? Because the "are they/aren't they having an affair" shenanigans are topped off with a whirlwind mistaken identity plot with one actor playing both upstanding Victor and lamebrain porter Poche. To say that Tom Hollander seizes that opportunity is a major understatement. His breathtaking combination of lightning physical precision and shockingly true confusion are beyond price. Richard Eyre's production sometimes mistakes speed for comedy, but farce fans won't be disappointed." Review Here Theatre Review: A Flea In Her Ear @ The Old Vic "…Tom Hollander is absolutely fantastic as both the stiff Victor Emmanuel and the porter Poche, vaguely described at one point as “a sort of alcoholic mess.” His expert physicality almost renders the split-second costume changes redundant: the wide-eyed, goofing Poche with his masochistic desire to please is so incredibly different to the prim, respectable insurance company head who keeps getting kicked up the arse by the hotel’s nutty ex-military proprietor. It’s a virtuoso performance that had us blinking and grinning in equal measures of awe and disbelief." Review Here A Flea in Her Ear, Old Vic, London "…It's played here in a beautifully mounting delirium of split-second synchronicities, ridiculous revolving beds, and myriad misunderstandings, the hilarity heightened by the wit of Rob Howell's decadently rampant Art Nouveau set. The confusions are compounded by the fact that Poche, the hotel's drunken porter, turns out to be the spitting image of the upright Chandebise. In a dual role that involves lightning switches of costume and identity, the virtuosic Tom Hollander is wonderfully engaging, both as the primly respectable insurance executive who is aghast at being repeatedly chased and booted in the backside by the hotel's deranged ex-regimental proprietor and as the goggle-eyed goon who can't fathom why he's being fawned over by complete strangers. A Flea in Her Ear—Theater Review "The best way to perform farce is to be perfectly serious and in the Old Vic’s revival of the Georges Feydeau French classic "A Flea In Her Ear," Tom Hollander plays two roles with such perfect gravity that they are hilarious." Review Here A Flea in Her Ear, Old Vic Theatre "Most critics have their own indicator of shows they have enjoyed hugely; for my part, if I fail to take anything but the most basic notes it’s because I’m so engrossed in the story or I’m laughing too much. And so it proved last night, when I found only hastily scribbled words - great this, wonderful that - in my notebook, enough to tell me that Richard Eyre's production of Georges Feydeau's 1907 farce A Flea in Her Ear is a hoot." Review Here A Flea in Her Ear - review "…Feydeau's masterstroke is to make the hotel's drunken porter, Poche, a dead ringer for the respectable Chandebise. This not only provokes escalating misunderstandings but gives the lead actor a chance to play dual roles, one that Tom Hollander seizes with inventive avidity. His Chandebise is a prim insurance broker whose very walk implies a monumental self-importance. In contrast, his Poche is a grinning buffoon who can't believe his luck when total strangers suddenly kiss him. Review Here Tom Hollander’s French turn in A Flea In Her Ear is a farce for good First Night Features: A Flea in Her Ear |
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